• Case study: Rob Legato – Martin Scorsese’s “Shutter Island”

    January 12, 2010

     Rob Legato is perhaps one of the most well known and respected VFX artist in Hollywood today, with a resume that looks more like the previews of the Oscars than a CV. He’s the visual effects visionary behind some of the most talked about, award winning films in Hollywood, and in the past decade alone

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    CIS Vancouver – Invictus

    January 11, 2010

    Here is an interesting story from Studio Daily about Imagineer customer CIS Vancouver. They relied heavily on mocha‘s tracking and roto features for the feature film, “Invictus”.Enjoy!-Ross From Hancock’s point of view, creating digital make-up not only helped the speed of the shoot but was a boon to editorial. “Make-up ties you down to a

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    mocha training added at fxphd

    January 4, 2010

    Here is some good news for the new year! Our friends at fxphd have added a new course dedicated to mocha and planar tracking. Long time Imagineer user David Blum will be teaching the course. David has many years of experience in vsiual effects and is an industry veteran. This should be a very worthwhile

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  • Thomas Egger: using mocha for Stabilization and Roto

    December 22, 2009

    Visual Effects artist and Director, Thomas Egger recently sent us links to this beautiful new spot. It takes the “tilt/shift” concept to a whole new level. mocha was used for stabilization and roto. Enjoy and Happy Holidays! -Ross

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  • Tutorial: Dealing with Foreground Obstructions Part 2 – Final Cut

    December 18, 2009

    We delve once again into the world of tracking and rotoscoping as I show you how to get tracking and shape data from Part 1 of the tutorial into Final Cut Pro. It’s a rip-roaring, rollicking journey using mocha for Final Cut and mocha Shape for Final Cut.You’ll laugh, you’ll cry, you’ll copy and paste

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